The Work
Etkie’s work is authored by ten Diné artists, enrolled members of the Navajo Nation. We design the patterns together. Each artist looms each cuff at home, and their name is on the card that travels with it.
They are why the company exists, and the standard everything else is held to. Most of them learned beading the way it is taught here: sitting beside someone older, handed the needle before being told what to do with it.
The loom is a wooden frame, warp threads strung tight across it. Beads go on one at a time, by needle, row by row. More than 1,200 glass beads to a cuff, loomed onto leather. There is no faster version of this.
01 — WHAT THEY KEEP
The work fits the life they want
Most work asks you to leave: to move to where the job is, keep its hours, arrange your family around them. Beadwork asked the opposite. It is done at home, at whatever hour suits the day, in the community an artist chose to stay in. The business runs on their pace, their calendars, their family and cultural commitments.
We did not set out to give anyone a job. We set out to make it possible to build an art practice from home, on their own terms.
02 — ONE OF ONE
Every piece is created by hand
Each artist sets their own week. Some bead in the early morning, before the house wakes. Some work through the afternoon with the radio on. A hand places every bead, and no two rows land identically, even inside the same pattern.
Etkie exists because this work was being bought for a fraction of what the skill behind it is worth. The talent was already here. The valuation was the problem, and a valuation is something a business can fix. Wages are set with the artists through joint time studies, and 6% of the value of everything they create is paid to them every year.
- BEADS PER CUFF
- 1,200+
- ARTISTS
- 10
- IN BUSINESS
- 13 years
The artists
Shop The Cuffs →THE ARTISTS